Mr. Jolly’s Clock

…in which Uncle Duke remembers his grandfather.

  

             My grandfather, Mr. W. D. Jolly, had a unique perspective.  He was certainly not what you’d call an optimist.  His views on the human race were not as a rule favorable.   He was however a ‘half-full’ kind of guy.

 

              This was particularly true with regard to household appliances and the like.  He came from an era in which things lasted a lifetime.   Where most people would see “broken” stuff, he would see things that “needed repair”.  It was a subtle but very substantial difference.   He saw devices that, with a little assistance, had their functioning lives mostly ahead of them.  As they suffered breakdowns, he would attempt to nurse them back to life, like a sick calf.  He treated them with great care and affection.  “Ain’t hardly nothing wrong with it,” he’d say.  This would generally belie the fact that the machine would not perform the task for which it was created.  He wasn’t talking about output here.  He was talking about totality.  What he meant was that 99.9% of the parts in that sewing machine were fine.  It was just some little spring or doo-hickey in there that needed replacing.

 

             There was usually considerable opinion within the family that he throw the offending appliance away.  This was particularly true if it had been to his workbench more than once.  He was a certifiably good fixer, but in truth his repairs were not always permanent.  His repair parts were seldom factory approved, and his methods were mostly trial-and-error.

 

              Most things in his house needed to be jiggled or whacked to get them started or keep them going.  The radio needed a good solid thump on the right side to come on. To get the front door to open, you had to lift up on the door knob and kind of hump it with your hip.  The dryer door was held shut with a bungee cord.   The lawn mower wouldn’t start til you took the air cleaner off.  You had to push the toaster handle down three times before the bread would stay down.  No more, no less.  Somebody was always yelling: “Grandpa, the toilet won’t flush!”  “Lift up hard, then push down,” he’d yell back.  And it would always work.  He was like an interpreter for mute machines.  He understood their language.  And he didn’t try to force his appliances to live by his rules.  He understood and lived by theirs.

 

            This lifestyle demanded a fair amount of patience.   Mr. Jolly had a sufficiency of that.  The starter went out on his truck, and it was at least a year before he got around to replacing it.  He just always parked on an incline.   Fortunately, there were plenty of hills around, and his emergency brake worked fine. He was a man who, either by inclination or necessity, never seemed to be in much of a hurry.

 

             He often took walks around the perimeter of the town dump.  This was a form of relaxation for him and a source of spare parts as well.   He was astounded at things people threw away, and as often as not he’d come home with treasures.

 

            I remember the clock he brought home.  It was a standing brass figure of a cherub or something, buck naked, with curly hair, doing some kind of ballet thing.  The clock was in its belly.  Mr. Jolly saw this thing glinting in the sun and was immediately drawn to it.  He waded into the pile, picked it up and cleaned it off.  He knew art when he saw it, and this was a find of the first order.

 

             He then looked at it mechanically.  It seemed to be intact, so he wound it lightly.  It immediately began to run like...well, like a clock.  He brought it home like he’d found a Tiffany lamp, polished it up a bit and gave it a place of honor on the mantle.

 

             My grandmother, Mrs. Jolly, was less thrilled than he.  “It doesn’t have any hands,” she pointed out.  This was technically true and had in fact escaped his notice.  But it dampened his enthusiasm and affection for the clock not a bit.  It was a perfectly functioning clock.   Never mind that it didn’t actually tell time.  By this point in his life, he was less interested in time as chronology anyway.  It was more of a philosophical concept.  He grasped more than most that time was relative.  That clock satisfied his temporal needs perfectly.  He loved to hear its rhythmic ticking.  To the day he died, he wound that clock everyday.  “Best damn clock I ever owned,” he crowed.

 

             Well it about drove my grandmother crazy.  She had her own distinct views on art.  And that clock was well outside the parameters.  And, as it turned out, she was more of a stickler for function than my grandfather.  Everything in her house should pull its own weight, she reasoned.  And that clock on her mantle, ticking so smugly but refusing to divulge the time, was beyond useless.  It was useless and bragged about it.  It took pride in it.

 

             She would have thrown it out, but the dump was obviously not a safe repository.  Mr. Jolly would just have found it again and probably uncovered something else even more tasteless and less useful in the process.  No, that clock came with the territory.  I can hear her sigh even now.

 

             In truth, there were other parts of the territory she was not overly fond of.   Whacking radios and jiggling toilets was not a way of life she would have chosen.  It lacked a certain refinement she was used to.  But to my knowledge, she never even mentioned it to Mr. Jolly.  She determined early on that if tolerance was a virtue, her husband (and, by extension, that clock) was her ticket to sainthood.  She may have made it too.  Though it didn’t seem to have given her much pleasure.  I suppose her rewards are in the Hereafter.

 

             My grandfather on the other hand derived great pleasure from junkyard finds and household maintenance.  The price appealed to him, that much was true.  But it was more than that.  They appealed to his sense of cosmology, I think.  The Universe was a place in which nothing ever really got thrown away.  And it was his job, his particular human skill, to put things together in various combinations to do work.  Or to amuse.  To do both at the same time was High Art.

 

              Mr. Jolly certainly had a talent in that regard.  We have inherited a number of his things, and they have the definite stamp of the artist.  They kind of work, and they are oddly amusing.  And when I see Beau Baylor coming home from our walks with his pockets full, I suspect they are not all we have inherited from Mr. Jolly.